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  • Aesthetic • Plastic Arts
  • Tradition and creation

    Marlène Biton

    Is there any antagonism between tradition and modernity or, on the contrary, are we are faced with a scale of nuances whose extremities would be tradition and modernity? The 19th century saw the term “modernity” take on another meaning, to be closer to the meaning we use here, adding to the “modern” (current) sense a dimension of “rupture.” We have chosen an example from the field of artistic creation to test these allegations. To do this, we will review the work of the Benin artist from Abomey, Cyprien Tokoudagba, who has created both monumental work and small figurines, as well as bas-relief sculptures. We propose a brief analysis of whether this artist can be placed at either end of this scale. To what extent are ...

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