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Duchamp and creation
Ivan Toulouse
Duchamp is often presented as an artist who would render obsolete all creative practices that had preceded him. This article does not contest the critical import of his work, but shows that he followed the same paths as any artist, as he himself explained, and that he may have encountered the same challenges. The inventor of the readymade, the precursor of conceptual art, is often contrasted with the figure of the “inspired” artist. What if Marcel Duchamp had simply been simply a creator, like all artists? “Painting should not be exclusively (underlined by me) visual nor retinal,” he said. “It should also involve our grey matter and our hunger for understanding” (1994, p.183). Yet, hadn't Leonard already said that, “painting is cerebral?” “It is the VIEWERS ...
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