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  • Aesthetic • Perception
  • Photography and creation

    Hélène Virion

    By juxtaposing and exploring the relationship between the terms art photography and manipulation, this article proposes to address a certain visual ambiguity. After revisiting the importance of indiciality, put forth by Charles Sanders Peirce and Rosalind Krauss, relative to new image practices, it aims to reconfirm the place of the creative act in indicial photography. This place has been replaced by the idea of trace or imprint. We will rehabilitate the former, before examining photographic creation. This article endeavors, through the indice and the icon, to deal with how art photographers have been using the indiciality of images over the past five years. It seeks to identify the increasingly imperceptible editing practices that have given the photographic image a visual instability, source of a new ...

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    creation