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  • Plastic Arts • Semiotics
  • Discovery and creation

    Anne Beyaert-Geslin

    This text aims to lay the foundations for a way of evaluating creation, through newness. It links different fields (art, science and design), and endeavors to define their connection to creation. It considers an exchange of texts and practices, between art and science. It also evokes a range of newness, with a minimum and a maximum. It reviews gradualness, and relates gradual production to social acceptance, which would also be gradual. Creation is a discovery that confronts the unknown with the known. "You, you always dream about meeting the truly new - newness of a day, that will be newness always" (Calvino, 1995, p. 13)

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    creation