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  • Technology
  • Cybernetics and creation

    Gérard Pelé

    There is a genealogy to Abraham Moles' idea that the use of some ‘computing machine’ would allow us to take the first steps in understanding creativity. For example, in 1871 Charles Cros had devised a machine to simulate sight or hearing, that he proposed to replace the direct study of structures that determine these functions in living beings, in a treatise entitled Information Theory and Esthetic Perception. These were cinetic templates that he thought should make it possible to study “the apparatuses of perception, thought and reaction” which, he said, were “by nature, obscured from direct observation.” Today, the question is no longer whether ‘robots’ are capable of intelligence or creativity. They can only exist when ‘endowed’ with these powers by ‘naturalization,’ because we neither want ...

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